剧好看 剧好看
从今天到明天
人气TOP 5 电影
1.0 1997 法国 HD中字
喜剧
1.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
980次评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
为影片《从今天到明天》评分
描述:Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not
展开

相关影片

压力山大
马修·佩奇,格雷森·贝里,艾普尔·哈特曼,Carly,Christopher,丽萨·卢卡斯,Crystal,Thomas
窥窗男子
特丽·波洛,迪伦·沃尔什,吉米-林·辛格勒,艾尔·斯帕恩扎,德博拉·兰纳德,Jonetta,Kaiser,约瑟夫·柯蒂斯·卡伦德,Bryan,Arion,Elli,Teresa
悲恸回响
Matteo·Pasquini,Penelope·Sangiorgi,Francesca·Vettori
阿凡达:火与烬
萨姆·沃辛顿,佐伊·索尔达娜,西格妮·韦弗,史蒂芬·朗,奥娜·卓别林,大卫·休里斯,凯特·温斯莱特,贝利·巴斯,吉奥瓦尼·瑞比西,杰梅奈·克莱门特,杰米·福雷特斯,埃迪·法可,克利夫·柯蒂斯,乔·大卫·摩尔,杰克·尚皮永,马特·杰拉德,科斯顿·约翰,菲利普·盖廖,布里坦·道尔顿,特里尼蒂·布利斯,小杜安·埃文斯
前世杀手
约翰·汉纳,埃米尔·赫斯基,艾迪·伊扎德,安东尼娅·托马斯,Tommy,Steele
风暴骑士:锤头鲨的传说
比利·巴瑞特,詹姆斯·科兹莫,卡罗琳·古多尔,弗朗西斯·托姆利,马可·艾索,莎拉-索菲·波斯妮娜,戈兰·波格丹,乔伊·安沙,谢尔盖·特里富诺维奇,格兰特·乔治,Neb,Chupin,吉勒斯·吉尔里,Ivana,Dudi?,Slavko,Labovic,Carolyn,Owlett,马林科·普拉加,杰米·威尔逊
谁想当老大
赵祐镇,郑敬淏,朴智焕,李奎炯,吴达洙,黄雨瑟惠,郑幼贞
最后的啤金酒
JC·桑托斯,Pepe·Herrera,Xyriel·Manabat,Zaijian·Jaranilla,切丽·派·皮卡切
草坯与麦茬
巴里·科尔宾,贝利·蔡斯,玛丽·贝丝·麦克多诺
黑蝎
理查德·邓宁,玛拉·科黛,卡洛斯·里瓦斯
黑花园
Cara,Culligan,Phil,Edwards,Tammy,Honey
黑色安息日
波利斯·卡洛夫,米歇尔·梅奇,利迪娅·阿方西,马克·达蒙,苏茜·安德森,格劳科·奥诺拉托,雅克莉娜·皮埃勒,米莉,哈丽特·梅丁
  • 片名:从今天到明天
  • 状态:HD中字
  • 主演:未知
  • 导演:达尼埃尔·于伊耶 让-马里·斯特劳布 
  • 年份:1997
  • 地区:法国
  • 类型:喜剧 
  • 频道:内详
  • 上映:未知
  • 语言:其它
  • 更新:2026-03-30 01:19
  • 简介:Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
本地记录 云端记录
登录账号
紧急公告

近期由于封禁和攻击严重,为防止走丢,强烈建议下载APP!

APP永久地址:www.zjvod.cc